Wednesday, October 5, 2011

Fall Mood Means More Needlework and Crafts

At the Velvet Ice Cream
Factory grounds in
Utica, Ohio.
I've really neglected this blog, which is obvious by the July 7 date stamp on my most "recent" post. However, with the arrival of fall and increased creativity in the needlework and crafts areas, I'm feeling energized about Come to the NudgeryFaire again.

Not that I've been idle. I've been keeping up with my writing blog, Nudged to Write, and started a blog about the local county fair that actually inspired my interest in things like embroidery and crochet. That blog is called The Late, Great Carthage Fair. There I'm talking more about the history of the fair and my memories going back to childhood in the late '50s and early '60s. I did do one post about my first entry at the fair in 1969, and I'm going to cross-post it here.

I also want to continue to move posts from my first blog, Salmagundi Express; I'm going to focus on the fall-related posts there over the coming weeks.

And I've added quite a few items to my Etsy shop, including my first beaded jewelry pieces. More on that in later posts.
Amish farmer tending his fields near Berlin, Ohio.

In the meantime, I'm including a couple of shots in this post of Amish country in northern Ohio. My mother and I took that trip a couple of weeks ago, and it was lovely, as usual. And Mom, a devoted quilter, had lots of fun looking through all the great fabric shops in Holmes County and the general area.

Finally, if you're into knitting, you might enjoy my sister's blog at The Warden's Log. She started knitting last spring, and I'm amazed at how she's taken off with it. She discusses her triumphs and challenges with the knitting needles, links to free patterns, and displays her various projects. She also writes great pieces about "the Inmates," her two kids. Enjoy!

Horse on hilltop near Charm, Ohio.

Thursday, July 7, 2011

Camp Fire Girl Beads Necklace



One of my current items on Etsy is a crocheted necklace using vintage Camp Fire Girl beads. [Update: This necklace sold on 7/19/11!] Although I was a Bluebird, I never was a full-fledged Camp Fire Girl. However, I knew all about their beads and patches and would have loved to amass my own collection. I also was enchanted with the idea of having a Native American-style gown on which to sew my beads. I read about this option in the Camp Fire Girls handbook, which for whatever reason I asked to receive for my birthday when I was 11 or 12.

The only patch I earned as a Bluebird was red felt with a campfire printed on it in gold. I earned it by selling Christmas candy, although my sales were meager, mostly to family. Sometime in the months following, my mother washed my Bluebird vest, with the patch sewn to it, and the patch came out looking like a pot scrubber. Mom diligently tired to paint over the remnants of the campfire with gilt paint, but it still wasn't a very stately-looking patch. I don't think I stayed with Bluebirds very long after that, although it had nothing at all to do with the mutant patch. I've simply never been much of a joiner.

I did suffer a disappointment when I was 11. My girlfriends convinced me to come with them to Camp Fire Girls daycamp. The literature clearly said non-members were welcome, although I think my parents had to pay a higher fee. Each week I rode the bus with my Camp Fire Girl friends, dressed in a white school blouse and navy blue shorts, the sit-upon my mother sewed for me looped over my belt and a frozen canteen sweating rivulets down the side of my shorts and trickling down the rubber-matted floor of the bus. (It wasn't my fault; the literature said to freeze the canteen so the water would be cold when I needed it.)

For several weeks I did everything the Camp Fire Girls did: We made sand paintings; built a fire and cooked a lunch of ham, pineapple, and sweet potato wrapped in foil and roasted in the fire; took nature hikes; and swept the floor of the primitive lodge building. The finale was to be a campfire ceremony in which beads would be awarded. I was thrilled; except our leader told us to wear our vests and neckerchiefs.

"I don't have a vest," I told her. "I'm not in Camp Fire Girls."

"How did you get into this camp if you're not a member?" the leader wondered aloud, embarrassing me because it seemed as if I'd sneaked in. She consulted an authority in the camp and said wearing my usual blouse and shorts would be fine.

My mother, sympathetic to my feeling of being slightly ostracized, even offered to buy me a vest, but I knew that wasn't the answer. I got over it and was ticked, actually, that the leader didn't know the camp allowed non-members. When you're naturally not a joiner in things, you don't sweat too much about being an outsider.

I don't remember now if Mom or anyone else raised the question of whether I would get any beads if I wasn't a Camp Fire Girl. Maybe I even wondered myself but pushed the possibility to the back of my brain. I allowed myself to be optimistically expectant as we seated ourselves around the campfire in a council-like setting.

I waited and waited for my name to be called to come up and get my beads, watching as each of my friends trotted up for their tiny string of beads, looking quite proud. When all the names but mine had been called and the program moved on to a final sing-along, I was so disappointed I almost cried. I didn't have to feign polite interest in my friends' beads--I really did want to see and touch them--but I don't think I talked much. The lump in my throat made it too hard.

For awhile I "played" at getting beads by buying bags of plastic tube beads at Woolworth's. For just a dime I could purchase a small sack of quite a few beads in pale colors. For 29 cents a larger sack would swell my supply. I'd scatter them all out on the living room rug, sorting them by color and driving my mother nuts. I'd pretend certain colors represented certain accomplishments; I even made jewelry such as the necklaces and bracelets in the Camp Fire Girls handbook. They were bulky things, with the thin beads strung on yarn.

My collection of beads ceased to be the autumn I was 12. Mom had made me the coveted squaw dress out of muslin the year before, and I'd sewn on a few beads. For Halloween, though, I went all out, stringing long garlands of beads which I tacked all over the front of the gown. I didn't use the yarn, apparently, but must have turned to sewing thread. The ropes of beads broke one after the other while I walked to the party, played games, and knelt for a picture. By the time I went home, my supply was depleted, but I'd grown beyond playing pretend with my beads anyhow. In a few weeks I would start a journal, or "notebook" as it was called in Harriet the Spy, and thus began a whole new phase of my life.

I think that awards ceremony disappointment led to my fascination with Camp Fire Girl beads as well as winning awards of my own. A few years later I started entering the county fair, putting my needlework and crafts in competition with adults. The second year I got my first ribbons; the third year I won my first rosette. I was gluttonous about accumulating awards of all kinds for decades and have only recently slowed down. I've won ribbons, rosettes, engraved silver bowls, certificates, trophies and medals for needlework, crafts, some cooking, writing, poetry, clogging, and Irish dancing. Never, though, a string of painted wooden beads or an embroidered patch.

That's probably why, when I spotted a jar of Camp Fire Girl beads at an antique mall for a low price, I pounced, even though I had no idea what I would do with them. So far I've used only the red, white, and blue citizenship/patriotism beads and some round red beads. I'm still thinking how to use up the rest.

My sister has written blog posts about her patch envy as my niece earned her Girl Scout Daisy patches; this week she revisited the subject, blogging about my niece participating in the Loveland, Ohio 4th of July parade as a newly ordained Brownie. I guess this awards thing just runs in the family.

Sunday, June 26, 2011

Getting Into Knitting

I'm very accomplished at many different types of needlework, but getting into kitting hasn't worked all that well for me. I've told myself that knitting is extremely popular and all kinds of stitchers are able to do it, but I'm simply not as comfortable with knitting as I am with crocheting. Maybe it's more exacting (I find it's easier to "fudge" in crochet), maybe it's less forgiving, for me, when it comes to correcting mistakes; I have no trouble ripping out rows of crocheting in any project and picking up again where I need to, but in knitting I'm totally thrown off.

I finally accomplished a very basic sock pattern, so at least I can make simple woolen socks for winter wear. That's pragmatic, though. When it comes to stitching for enjoyment, I reach for my crocheted lace books or hand quilting or find thread embroidery. I was the same way with tatting and bobbin lace. I won best of show at the Ohio State Fair in tatting, and even managed a blue ribbon in bobbin lace (and knitted lace, for that matter), but I don't gravitate back to these arts. Maybe it's something about the way the mind is wired. I've read stories where scientists or chess champions also did bobbin lace or complex knitting. 

My sister, also an experienced crocheter and needleworker, decided to give knitting a try earlier this spring. She's moved right along, attempting stitches and techniques I had to abandon simply after reading the instructions. Even at the dishrag stage, she dove into patterns I was too intimidated to try, such as designs with cables. She was brave enough last month to attempt a dog sweater pattern (free from the Lion Brand website, if you want to register and check it out) for the latest member of the family, Jimmi (a March adoption from Recycled Doggies). It took her a few tries, sampling different patterns and adjusting for chest measurements, but Jimi now has a new sweater. And my sister is courageously pressing forward as a converted knitter. Congratulations to her! Maybe she can make me some really swell socks for Christmas.

Sunday, June 12, 2011

Two More Vintage Button Projects


As I mentioned in the previous post, I had some button projects included under my byline in the book Busy with Buttons by Jill Gorski. I have the other two projects I made for the book on sale now in my Etsy shop. The altered antique cabinet card is something anyone can do--although I recommend NOT doing it with a family photo. (Those are precious and rare, and someday you might want to scan that image and share it with relatives who are doing genealogy.)

I used an old cabinet card I bought in a photo lot on eBay, unidentified except for the photography studio. This kind of project can use up old buttons, lace and other trims, ribbon, and even scrapbook papers. In other words, just about anything you might have in your stash. Combining vintage trims and embellishments with an antique photo gives it special authenticity and charm. Local antique malls probably have old cabinet photos for very reasonable prices.


Another item you may find for a dollar or two at antique malls and flea markets is the stereoview card. Stereoviews are the long cards with double photos that create a 3D effect when viewed through a stereoptican. Rare historical stereoviews can be pretty pricey, and even cards that picture desirable locations can cost more; but stereoviews that show generic scenes can be a bargain and offer some interesting inspiration for embellishments. The altered stereoview I created for Busy With Buttons and now have for sale on Etsy shows a wedding scene. Naturally, I chose lace snippets and elegant antique buttons to go with the theme. Your own creativity will suggest ways to embellish stereoview cards, which make interesting and attractive doorknob hangers when tied with lengths of ribbon. Just be sure the stereoview you choose to work with isn't valuable; you wouldn't want to discover later you glued buttons and paper scraps to a desirable collector's item.


Friday, June 3, 2011

My Button Quilt Hanging on Etsy




One of the items I currently have for sale on Etsy is this miniature whole cloth quilt hanging with vintage fabric-covered buttons. I made this when I was working as an associate editor at Krause/F+W Media. We needed some additional projects for the book Busy With Buttons by Jill Gorski. I created three projects and wrote up the directions; all three were included under my byline in the book.

This project is a fun, simple way to use any kind of button; it's especially nice to feature fabric-covered buttons from old dresses. The material and pattern of the fabric can be unusual, and it provides an authentic record of fabrics of the past.

Wednesday, June 1, 2011

Redwork from The Workbasket

NOTE: This 11/13/99 post is migrated from my old blog, SalmagundiExpress.

Today one of the books I've been editing, Redwork from The WORKBASKET, went to production, another step closer to being published, although the book doesn't come out until next spring.

I've had a special place in my heart for this book, by contributing editor Rebecca Kemp Brent, from the start. Although it's really a machine embroidery book, the designs are taken directly from vintage embroidery transfers from The WORKBASKET, a great old magazine I remember my mother getting back in the 60s. Twenty years later, I started buying vintage copies in antique malls for the wonderful crochet and tatting patterns. I won a lot of ribbons making projects from old WORKBASKETs.

A little over a year ago I learned that Krause Publications, an imprint of the company I work for, F+W Media, actually owns The WORKBASKET. That means we have all that content at our disposal, including those fabulous embroidery transfers.

The designs were redrawn directly from the original transfers and digitized for machine embroidery. Since I've always been into hand embroidery (well, nearly always -- I started doing needlework regularly when I was about twelve), the part about this project that excites me is that all 100 vintage designs are in JPEG and PDF formats on the disk that comes with the book. That means anyone who's as crazy about embroidery as me can print these designs right off the disk and create a fresh embroidery transfer.

I did the hand embroidery samples for the book, which was fun. I stitched a redwork horse head, which is an unbelievable design, on a dishtowel and two pillowcases with morning glory designs in hand-dyed and variegated thread. Rebecca has some wonderful projects in the book, but since I don't do machine sewing either, I won't be attempting the bed quilt very soon. But my fingers literally itch to tackle more of those embroidery patterns!

Tuesday, May 31, 2011

Welcome to NudgeryFaire

NudgeryFaire is the name of my Etsy shop, where I sell a variety of handmade items and the occasional vintage treasure. It's also the name of this blog, where I'll be updating the items for sale on Etsy, posting about crafts and needlework, and offering the occasional free embroidery pattern. Please come back often! (If you're a writer and like writing prompts, which I call "nudges," also visit my site Nudged to Write.)